Camila (Nina Dziembrowski) is a fierce, politically active 17-year-old living in a progressive public school environment in Mar del Plata. When her grandmother falls critically ill, Camila and her family are forced to move to Buenos Aires to care for her.
Uprooted from her comfortable, open-minded network of friends, Camila is enrolled in a rigid, traditional private Catholic high school in the capital. Unwilling to compromise her ideals, she immediately clashes with the conservative school administration while seeking her place among her new classmates. Navigating new friendships, political resistance, and intense romantic feelings for a female classmate, Camila learns to assert her sexual identity and personal autonomy in a world determined to constrain her.
💡 Did you know?
San Sebastián Competition: Selected for the official competition for the Golden Shell at the 69th San Sebastián International Film Festival in 2021.
Contemporary Argentine Activism: Incorporates the real-life "Marea Verde" (Green Wave) feminist movement in Argentina, reflecting the passionate youth activism surrounding reproductive rights and gender equality in Buenos Aires.
Rising Lead Talent: Lead actress Nina Dziembrowski received widespread acclaim across international film festivals for her magnetic, uninhibited portrayal of adolescent rebellion and queer identity.
⭐ Film Evaluation & Ratings 📈
⭐ Global Critical Consensus: 6.8 / 10 (San Sebastián Official Selection / 6.4 IMDb)
Praised in Latin American and international festival circuits for its authentic capture of modern Argentine youth culture, strong lead performance, and vibrant energy.
🎨 Visual & Cultural Craft: 7.6 / 10
Constanza Sandoval’s fluid, intimate handheld camera work and neon-hued night scenes vividly contrast the cold, suffocating interiors of the Catholic school with the freedom of youth night culture.
📝 Portal Recommendation:
An essential addition for Modern Argentine Cinema, Queer Youth Activism Archives, and Contemporary Latin American Coming-of-Age Spotlights. Pairs naturally with titles like One in a Thousand (Las Mil y Una, 2020), XXY (2007), or Submersion (2020).
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