Yoon-ju (Lee Sang-hee) is a quiet, reserved fine arts graduate student in her late twenties, struggling to complete her graduation exhibition sculpture in Seoul. While searching for materials, she encounters Ji-soo (Ryu Sun-young), an energetic, confident, and magnetic woman working part-time jobs
Intrigued by Ji-soo's warmth and boldness, Yoon-ju begins spending time with her, triggering an intense emotional and romantic awakening. What starts as an intoxicating romance soon faces real-world pressures. As Ji-soo copes with heteronormative family expectations and economic instability, and Yoon-ju struggles with artistic self-doubt and communication barriers, the fragile boundaries of their relationship are tested by the quiet friction of everyday life.
💡 Did you know?
KAFA Production Breakthrough: Produced through the prestigious Korean Academy of Film Arts (KAFA) Feature Program, the film won the Grand Prize in the Korean Competition at the 17th Jeonju International Film Festival.
Blue Dragon & Baeksang Awards: Lead actress Lee Sang-hee earned widespread acclaim, winning Best New Actress at the 38th Blue Dragon Film Awards and the 53rd Baeksang Arts Awards.
Naturalistic Realism: Celebrated as a landmark entry in modern South Korean queer cinema for shunning high-melodrama tropes in favor of quiet, understated realism and subtle performances.
⭐ Film Evaluation & Ratings 📈
⭐ Global Critical & Audience Consensus: 6.6 / 10 (IMDb / Korean Indie Film Archives)
Highly commended for its delicate directing, authentic dialogue, and naturalistic performances that capture the quiet complexities of first love.
🎨 Narrative & Emotional Craft: 7.2 / 10
Excels at capturing micro-interactions, awkward pauses, and realistic relationship decay without relying on artificial dramatic twists.
📝 Portal Recommendation:
An essential entry for Asian LGBTQ+ Cinema Archives, Korean Indie Spotlights, and Contemporary Sapphic Character Studies. Pairs naturally with titles like The Handmaiden (2016), In Between Seasons (2018), or Moonlit Winter (2019).
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